Tags
Ceres, Commercial Alley, Michelle's, New Hampshire, Penhallow, Portsmouth, sketch, sketchbook, tugboat
I’ve been experiencing a significant slump in my at-home painting routine. Most of my paintings are done while I’m on vacation. A few Fridays ago it was a beautiful and sunny fall day. I fought the urge to work on my to-do list, and instead packed up my sketch kit and walked into downtown.
To an observer, spending an afternoon sketching may seem like a free-spirited thing to do. But for those of us who experience creative blockage, it actually takes some significant mental gymnastics to get oneself to be creative and expressive. Creativity sometimes bubbles up, but more often than not, it is the result of making the time, which requires discipline and intentionality (which seems at odds with the creative spirit…).
So, with discipline and intentionality, I plunked myself down on the curb in front of Michelle’s on Market Square (a fine-dining French restaurant) to sketch my first of three sketches that day. I tried to stay very loose and quick, keeping myself in the process rather than sketching for a product.
I like how the perspective on this turned out, especially with the restaurant’s signage. I tried to stay loose with the figures, and I like the one on the far left. She’s holding hands with someone who looks eerily like Lee Majors with big hair (is that redundant?).
I picked up my kit and walked over to Commercial Alley, a lovely pedestrian walkway with restaurants and boutiques. Again, I tried to stay very loose with this sketch, focusing on composition, perspective, and figures that captured the essence of their movement or stance.
From there I made my way to Ceres Street to sketch the tugboats and two of the three bridges that connect Portsmouth to Maine. I like how the bridges in the background turned out (although it’s hard to tell that there are actually two bridges), and I also really like how loose and natural the figures are. The tugboats, however, look a little like they’re missing their back ends and they’re angled a little too much up (as if there’s a wave passing under their bows). Boats are HARD to get right.
The box structure on the left of the painting is a trash enclosure that has a vertical garden on it. Not sure if that kind of thing should be left in or taken out of a sketch (it looks just a little odd). I think this is another one of those times when artistic license comes in. Vertical gardens, apparently, are cutting edge innovations (at least in Portsmouth), and you have to look twice even in real life to figure out what it is. It probably would be better to just leave it out.
Regardless of how the sketches turned out, I sat down and did the work. This series of sketches got my momentum going and kicked off another series of sketches (saved for later blogs), which seems to have re-ignited my at-home painting. Mission accomplished!
Which sketch are you most drawn to? Which of them best puts you in the moment?
Ruth Bailey said:
I, too, struggle with showing up to do the work! Good job at ignoring the other to-do list!
As always, I am drawn to your lively figures. I’m most drawn in to the pedestrian alley and would like to walk along doing window shopping (except I should probably be somewhere sketching, like you did!)
Thanks for sharing these, David. I look forward to seeing the next series of sketches!
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david.ronka said:
Thank you for stopping by, Ruth!
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Anonymous said:
The pedestrian alley.
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david.ronka said:
Thank you for stopping by!
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Beth Ronka said:
David, Did you get my reply to your latest sketching effort? loved the ALLEY! I’m always somewhat anxious that I forgot some step in the reply process…and what’s the deal with the guy bungee jumping out of a window in the middle of your reply section? looking forward to seeing your sketches in color….when you find the time to do that, that is. Mom
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david.ronka said:
Thanks for stopping by, mom! Yes, I got your comment on my last blog post. You’re doing great! I think the bungee jumping guy is probably an advertisement that shows up on my blog post. WordPress does that periodically. I started painting these sketches and then decided to just let them be. Instead of painting them, I decided to go out and do some new material. 🙂
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janebalshaw said:
David, I get that sentiment. Making the time to wet the appetite! So glad you are back in the grove….I love your posts and seeing how you work. I think I like the alley best – it captures a lot of vibe of what a boutique alley is all about.
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david.ronka said:
Thanks for stopping by, Jane! Capturing the vibe — that’s the key, isn’t it? I think speeding up my sketching during this process helped me to get out of my left brain and into my right brain. Right brain takes in vibe. Left brain tries to interpret it and make meaning out of it. We need both to live, but I know I need better connection to my right brain in order to be more “vibe-y!”
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barbara said:
You have inspired me – now what would it take for you to inspire you and get going strongly again? perhaps another trip to Omega?? don’t know don’t know…. Thanks so much for sharing your work – what a gift indeed!! Greetings to Ellen.
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david.ronka said:
Thank you for stopping by, Barbara! Good question… What would it take for me to inspire me. 🙂 I’ve been noodling on that one and have had glimpses of the answer. The one that comes up most often is to JUST DO IT. It’s so easy to come up with excuses not to paint, and at the end of the day just going out and painting is the greatest inspiration. I’ve read that having a daily discipline of painting (anything!) is the best way to cultivate inspiration. I haven’t done that, yet, but I’ve put it out there as an intention. 🙂
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barbara said:
ahhhhhhhh JUST DO IT ! One of the most profound phrases of all time! Whether it be to meditate or play the piano or exercise or go to bed early, Nike got it right didn’t they? hmmmm yes, perhaps inspiration comes from action not sure … the only way we will know is to JUST DO IT… and then practice practice practice… I look forward to seeing more… sooner than later…
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david.ronka said:
I think that’s the big tension for artists of all kinds–creating structure that allows for space to be creative. Seems oxymoronic.
I’ve got a few more posts waiting in the wings…
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